Act II of The Cherry Orchard by Anton Chekhov begins with these lines by Charlotta: “I haven’t a real passport. I don’t know how old I am, and I think I’m young. When I was a little girl my father and mother used to go round fairs and give very good performances and I used to do the salto mortale and various little things. And when papa and mamma died a German lady took me to her and began to teach me. I liked it. I grew up and became a governess. And where I came from and who I am, I don’t know. . . . Who my parents were–perhaps they weren’t married–I don’t know. I don’t know anything.” Charlotta is a woman with an uncertain past.
Shortly thereafter, Epikhodov speaks these lines: “I’m an educated man, I read various remarkable books, but I cannot understand the direction I myself want to go–whether to live or to shoot myself, as it were. So, in case, I always carry a revolver about with me. Here it is.” Epikhodov is a man with an uncertain future.
(Although Charlotta caries a hunting rifle in this scene and Epikhodov shows his revolver to the audience, neither gun goes off by the end of the play. This scene is the exception that proves the rule of “Chekhov’s gun”: “One must never place a loaded rifle on the stage if it isn’t going to go off. It’s wrong to make promises you don’t mean to keep.”)
Charlotta and Epikhodov present the audience with two questions that are central to the play: What is our past? and What is our future? These questions, although presented by two separate characters, are inseperable; our futures are intimately tied to our pasts.
This principle is easy enough to recognize. What is more difficult is determining just how much the past dictates the future. To over-emphasize the past is to abdicate one’s own volition and agency. (“I must do such-and-such because I am fated to do so.”) But to ignore the past is to give up our most valuable teacher, experience. As they say, those who do not learn from the past are doomed to repeat it.
We must find a way to learn from the past without becoming slaves to it. And that sounds a lot easier than it is.
Beer of the week: Rewind Hefeweissbier- This brew comes from Chicago’s Around the Bend Beer Co. The name is a reference to the fact that Rewind is a classic German-style wheat beer. THe brewers at Around the Bend clearly intend to learn from the past. It is orange and cloudy, with a nice foamy head. The aroma is totally classic for the style, with very prominent banana notes. The flavor is packed with banana and spice, and finishes very smoothly.
Reading of the week: The Cherry Orchard by Anton Chekhov – Chekhov called this play a comedy, but it is actually a sad story about the demise of a once-prominent family. At the end of the play, the bank forecloses its mortgage on the family’s estate–including the titular orchard. This week’s reading, from the end of Act II, is a very charged discussion of how the characters have to reckon with the legacy of Russian serfdom before they can move forward as members of an increasingly egalitarian world.
Question for the week: Are there times when it actually is best to completely forget or ignore the past?
I don’t know what the official success rate is for New Year’s resolutions, but it’s got to be crazy low. For that reason, I am positively shocked that I’ve actually I followed through on my 2019 resolution all the way to the finish. As I detailed in March, June, and September, my resolution for the year was to memorize two poems per month. The final quarter of this year, I memorized:
The Charge of the Light Brigade by Alfred Lord Tennyson. The military action immortalized by this poem took place in October, 1854, 165 years ago.
The Raven by Edgar Allan Poe. Although the poem is principally set in a “bleak December”, it is most associated with Halloween. (Especially for fans of The Simpsons.)
My Soul is Dark by Gordon, Lord Byron. November is often a dark, cold month that inspires dark thoughts.
My Love is Like a Red, Red Rose by Robert Burns. I actually wanted to memorize To a Mouse, which is set in November, 1785. But the Scots language Burns employs would make memorization a bit too tough for me. My Love is Like a Red, Red Rose is much more… English.
I Wandered Lonely as a Cloud by William Wordsworth. The true value of the beautiful sight of daffodils dancing in the breeze was not in the moment, but the ability to call the scene to mind long after the flowers have wilted.
A Visit from St. Nicholas by Clement Clarke Moore. How better to end the year than with the single most popular Christmas poem of all time?
And so concludes this year’s resolution. I intend to continue memorizing a poem a month until I run out of memory and need to delete some things. Brains work like magnetic disc drives, right?
Beer of the week: The Grey Lady – The Grey Lady is a spiced wheat beer from Cisco Brewing Company on Nantucket. The beer is pale and hazy, and smells yeasty and a bit fruity. The flavor has pronounced notes of ginger and clove and just a bit of tartness at the end. It is an excellent beer, but I think I’d like it to be just a bit more flavorful, both in terms of sweetness and spice.
Reading of the week: A Visit From St. Nicholas by Clement Clarke Moore – According to Wikisource, this poem “is largely responsible for the contemporary American conception of Santa Claus, including his appearance, the night he visits, his method of transportation, the number and names of his reindeer, and that he brings toys to children.” However, a couple details did not make it into the popular image of Santa. For one thing, Moore’s St. Nicholas smokes a pipe. Additionally, Moore’s St. Nick, although still “chubby and plump,” is quite small. He is described as a “jolly old elf” driving a “miniature sleigh” pulled by “eight tiny reindeer.”
Question for the week: Do you have any poems memorized? If so, which? If not, why?
Earlier this year, I considered bringing this blog to a close. I even started drafting Post 300 as a farewell post. As much as I’ve loved writing this blog–over the past 8+ years and on three continents–it is work. And, more importantly at this stage in my life, it is time consuming.
But I got some vital feedback at just the right time to keep me going. In the first place, I learned about the Beer Appreciation course offered by Cornell University. Then a friend convinced me that my readers care enough about this blog to contribute actual money toward tuition for that course. Even more important than the money was the fact that people wanted to engage. Many of the readers who were willing to contribute money were also eager to recommend beers and readings, and become part of the blog process. (By the way, from very early on, I have encouraged readers to make suggestions through the “Make a Recommendation” page. I don’t think that form has been used once.)
Secondly, I got a very encouraging (and unsolicited) message at a critical time. Of this blog, a friend said: “I hope it never ends.” How could I quit after reading such a sentiment?
Friends, you’ve kept me going. Thank you all for your contributions, be they monetary or just kind words. Please always feel free to comment or reach out. For my part, I will keep writing this blog until you are sick to death of it.
Beer of the week: Licher Weizen – This German Hefeweizen seems like a good representative of the style. It is quite cloudy, with a big, fluffy head. (As I now know from the Cornell course, the high protein content of wheat contributes both to the cloudiness and the foaminess.) The aroma has notes of banana and clove. (Typical of the esters associated with wheat.) The flavor follows the smell closely, especially the banana. There is just enough hops to remind you that this is, in fact, a beer. I don’t know if this is the best Hefeweizen, but it is definitely everything the style should be.
Reading of the week: Pride and Prejudice by Jane Austen – This excerpt is almost entirely dialogue, with the characters debating whether it is better “to yield readily—easily—to the persuasion of a friend” or to insist that the friend provide argument and reason. For, as one character argues, “to yield without conviction is no compliment to the understanding of either [friend].”
Question of the week: Is there any way that this blog could be more engaging? What features/subjects/beers/etc. would induce you to comment/suggest beers/etc.?
If you are reading this, you have probably never been “in the fell clutches of circumstance.” You’ve likely never suffered “the bludgeonings of chance.” And odds are, you haven’t been engulfed by a metaphorical night as “black as the pit from pole to pole.”
If you have not been tested to the utmost, how can you know whether your soul is unconquerable? Or whether you really are the master of your own fate? And, more relevant for our present purposes, what good is the poem Invictus by William Ernest Henley?
In his youth, Henley suffered from tuberculosis. He had a leg amputated when he was sixteen. Later, rather than submitting to the amputation of his remaining foot, Henley traveled to Scotland to be a patient of a doctor later to be known as “the father of modern surgery,” Joseph Lister. Lister’s antiseptic treatments saved Henley’s foot. During his three-year course of treatment, Henley wrote and published his famous “hospital poems,” including Invictus. Although he eventually lost the battle with tuberculosis, a disease that caused him constant pain and cost him his leg, Henley had spent his whole life with his head unbowed.
Invictus is also associated with Nelson Mandela and his time at the infamous Robben Island prison. Sentenced to life imprisonment, and consequently with no obvious hope of ever again being a free man, Mandela supposedly recited Invictus to fellow inmates. Even in a cage, Mandela remained the captain of his own soul. (As an aside, the CIA had a hand in Mandela’s arrest. So there’s your fun fact for the day.)
For men such as Henley and Mandela, Invictus appears to affirm their mettle. The poem’s value, however, is not as an affirmation, but as a bulwark. The poem is not a boast about one’s fortitude and strength of character, but a brace against the bludgeonings of chance. Just as The Quitter by Robert W. Service helped Douglas Mawson overcome the compounded difficulties of being sick and alone in the uncharted antarctic wilderness, Invictus has served as a source of inspiration for those in fell circumstances. It would behoove us all to study poems such as Invictus while we are relatively safe and comfortable, so that we can call them to mind if and when we must face true suffering.
Beer of the week: Official by Bell’s Brewery – This hazy wheat IPA pours with a white, rocky head. It has a very faint aroma, with a hint of grass. Notes of peach are followed by a dry finish and nice wheat notes.
Reading of the week: Invictus by William Ernest Henley – This poem also lent its name to the most successful rugby movie ever made. On the eve of the Rugby World Cup Final, it is worth a revisit. (By the way, this poem uses the adjective “fell”–meaning “terrible” or “ferocious”–to describe the “clutches of circumstance.” It is the only time I can think of where that adjective has been used to describe anything other than a “swoop.”)
Question for the week: In case of emergency, you may stock up physical needs such as canned foods, candles, and bottled water for disaster. But how do you prepare for your mental well-being?
Back at in the beginning of April, I wrote a post about memorizing poetry. Over the first three months of this year, I memorized six poems. I am proud to report that I have kept up the pace, and memorized another six poems during Q2.
To celebrate the beginning of baseball season, I started with Casey at the Bat. Then, to go with the return of Game of Thrones, I memorized Fire and Ice by Robert Frost. For those not in the know, the book series that Game of Thrones is based on is known as A Song of Ice and Fire. Frost’s poem about the world ending in either fire or ice was an obvious poem to ponder as GOT wrapped up.
For Mothers’ Day, I memorized Morning Song by Sylvia Plath, a charming poem to her newborn baby. I finished May with We Real Cool by Gwendolyn Brooks. I had been meaning to read more Brooks ever since I attended a lecture by the archivist who is painstakingly working through the poet’s extensive personal notebooks. (Among other things, Brooks recorded everything she ate every day.)
After some thought about what poets were most interesting to me as a child, I decided to memorize Shel Silverstein’s Sick in June. I have always loved humor, and the ability to tell a joke in verse is a tremendous skill. Harlem by Langston Hughes rounded out the first half of the year. And the beginning of summer seems as good a time as any to ponder “a raisin in the sun.”
Compared to the poems I memorized in the first three months of the year, these poems are generally more modern and are mostly shorter. (Casey at the Bat is by far the oldest and the longest of the six.) I certainly have a soft spot formal old poetry, but the structural variety of the poems from these past three months has been a very fun change of pace.
In the first quarter of this year, I memorized three British poems, one Mexican, one Canadian, and one Australian poem. The second quarter accidentally became a study of relatively modern American poetry. The first five poems of the quarter were only American by happenstance. But once I realized what had happened, I specifically chose Harlem as the sixth straight American poem to memorize.
Beer of the week: The Big O – This cloudy wheat beer is brewed by Wisconsin’s O’so Brewing Co. It is bready and delicious. The label made me expect more citrus flavor, but there is not much to speak of. The beer is neither especially sweet nor especially tart. Not that that is a problem; The Big O simply tastes like a very good wheat beer.
Reading of the week: Fire and Ice by Robert Frost – There are a lot of considerations that go into the choice of this poem for this week’s reading. As alluded to above, the end of Game of Thrones was culturally significant, even if you hated how it ended. The battles of ice versus fire and desire versus hatred are deeply embedded in the way we think of the world. Secondly, the weather is finally hot after a cold, wet spring; fire has finally asserted itself over the ice. Lastly, and most importantly, Fire and Ice is not under copyright. With the exception of Casey at the Bat, which was a reading of the week a couple months ago, none of the other poems that I memorized this quarter are in the public domain.
Question for the week: Who is your favorite American poet?