This post was made possible by a generous contribution by Muriel toward the BeerAndTrembling education fund. Now that the campaign is no longer live, I encourage readers to participate by reaching out in the comments or through the “Make a Recommendation” page.
Mark Twain’s writing is always quotable, usually funny, and occasionally sublime. There are, of course, the odd missteps. For example, I find A Connecticut Yankee in King Arthur’s Court to be a very uneven mix of sunny humor and dark, cynical satire. And I was generally unimpressed when I recently cracked open Innocents Abroad. But tastes vary, and no body of work can be all chefs d’oeuvre.
Even Adventures of Huckleberry Finn is not unalloyed genius. Earnest Hemingway advised readers of Huckleberry Finn to quit before the final chapters. But, at least in my opinion, almost everything before Hemingway’s recommended cutoff point is excellent. The book begins with a notice: “PERSONS attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.” Despite this stern warning against looking for meaning in the book, it is impossible not to see something important in Chapter XXXI.
By that point in the book Huckleberry Finn and Jim have travelled a considerable distance down the Mississippi River together. Huck is running from his abusive father and Jim is running from slavery. Eventually, they fall in with two traveling grifters. These frauds try to earn quick money by giving dance lessons and lectures on temperance, “missionarying, and mesmerizing, and doctoring, and telling fortunes, and a little of everything.” They are, however, generally unsuccessful. Eventually, they decide on a more profitable scheme: they betray Jim and sell him back into slavery.
It is under these circumstances that Huck is faced with a moral crisis. He sees two options. One option is to contact Jim’s “rightful” owner, in the hopes that Jim may return to his previous slavery rather than the possibly harsher slavery with of his new masters. Or he can attempt to help Jim escape bondage yet again. It may seem easy, from the reader’s point of view, to see what the “right” thing to do is. The problem for Huck is that he has been taught that what is lawful is good, and what is unlawful is bad. And, according to the laws of man and God, Jim is meant to be a slave. To defy those laws is to become a social pariah and invite eternal damnation.
Huckleberry, as the narrator, describes his inner turmoil. He knows that helping a slave to get his freedom, according to society, is about the most wicked, low-down, rotten thing that he could do. He’d be positively ‘shamed to death to face his friends and neighbors after doing such a despicable thing. Moreover, he believes truly that “everlasting fire” is the reward for aiding Jim’s escape. He sincerely, desperately wants to be good. But being good means he must abandon his friend when he needs him the most. Huck tries to pray, but can’t because he cannot repent wanting to help Jim. And if he cannot repent, he cannot be saved. So he makes his choice:
“All right, then, I’ll GO to hell” …
It was awful thoughts and awful words, but they was said. And I let them stay said; and never thought no more about reforming. I shoved the whole thing out of my head, and said I would take up wickedness again, which was in my line, being brung up to it, and the other warn’t. And for a starter I would go to work and steal Jim out of slavery again; and if I could think up anything worse, I would do that, too; because as long as I was in, and in for good, I might as well go the whole hog.
Twain later wrote that Huck’s inner conflict was the collision of “a sound heart and a deformed conscience.” Society had played Huck a cruel trick by convincing him that virtue was evil and evil was virtuous. So while he believed honestly that he was irredeemably wicked, he was actually irrepressibly good. His sound heart overcame his deformed conscience.
Beer of the week: Bud Light Orange – Like some of Twain’s writing, this beer seems caught between being for children or adults. On the one hand, it smells and tastes like an orange lollipop. It occasionally even causes that peculiar pain you can get in the back of your jaw when eating citrus candies. On the other hand, it is beer. In fact, although it is too sweet, it is not quite candy-sweet. It actually tastes a bit like beer. But whoever Bud Light Orange is for, it ain’t me. (Although I honestly would try it as the base for a float with vanilla ice cream, because I am a kid at heart.)
Reading of the week: Adventures of Huckleberry Finn by Mark Twain – There is not much more to be said about this excerpt that I didn’t say above. But I really do find this to be one of the most moving pieces of writing I’ve ever read.
Question for the week: How can we avoid having our consciences deformed by a misguided society?
I don’t know if you have had the same experience, but the snag I always come up against when I’m telling a story is this dashed difficult problem of where to begin it. It’s a thing you don’t want to go wrong over, because one false step and you’re sunk. I mean, if you fool about too long at the start, trying to establish atmosphere, as they call it, and all that sort of rot, you fail to grip and the customers walk out on you.
Get off the mark, on the other hand, like a scalded cat, and your public is at a loss. It simply raises its eyebrows, and can’t make out what you’re talking about.
– P.G. Wodehouse
The Christmas story–the nativity of Jesus, not the beloved 1980’s movie with the BB gun–comes from the gospels. But each gospel writer took a different starting point for Jesus’ origin story.
Matthew starts the story 42 generations earlier, with Abraham fathering Isaac. The genealogy goes on through Jacob and Judah, Kings David and Solomon, and finally Joseph, husband of Mary. (Also in that bloodline are Jehoshaphat, Salmon, and Zerubbabel, whose names are curiously absent from most popular baby name lists.) Matthew goes into the annunciation (when an angel announced the holy pregnancy,) then the birth, and then the visit of the wisemen from the East.
Mark starts with a quotation from the prophet Isiah. He then skips Christmas altogether, and introduces John the Baptist and Jesus as adults.
Luke, not content to let the story speak for itself, starts with something of an author’s prologue. He addresses the gospel to someone called Theophilus (which, if my Greek is any good at all, must mean something like “God’s friend” or “God’s beloved” or “God-lover”.) Before getting into the classic Christmas stuff, Luke spends the better part of a chapter on the conception of John the Baptist, the annunciation, and John’s parents. It isn’t until chapter two that we get the birth, the manger, and the shepherds.
John famously starts his gospel “In the beginning…”, which seems reasonable enough. But the beginning that John identifies predates creation itself (if anything can be said to “predate” the very notion of time.) John covers the entirety of pre-creation through the birth of John the Baptist in about six verses. The birth of Jesus gets a single verse, and then jumps right into the exploits of adult Jesus.
As usual, a closer look raises more questions than answers. Why is the Christmas story relatively unimportant to most of the gospel writers? Why did the gospel writers start in such different ways? Who is Theophilus, anyway?
Beers of the week: Our Special Ale (2017 & 2019) – Our Special Ale is Anchor Brewing Company’s annual holiday beer. Having got my hands on a cellared bottle of the 2017 edition I decided to compare it with the 2019 version. (Although Anchor does not particularly recommend aging their holiday beers, they do claim that it will mellow with age.) The recipe changes from year to year, so differences between the two can’t be attributed solely to the aging.
The 2017 edition is very dark brown, with just a hint of red, and a tan, rocky head. Its aroma has notes of smoke and black licorice. The main flavors seem to come from dark-roasted malt, without much hops to speak of.
The 2019 is dark red-brown, with a lighter, more uniform head. The aroma has some bright hops. The flavor is nicely balanced, with some dark malt notes and a bit of bright hops and spice.
Between the two versions, I certainly prefer the 2019. It is brighter and more carbonated, probably because it wasn’t aged. And, whether it is attributable to the aging or not, the 2017 seems a bit flat and one-note.
Reading of the week: Ethan Frome by Edith Wharton, Prologue – As Wharton points out in her introduction to the second edition, “the climax, or rather the anti-climax, occurs a generation after the first acts of” Ethan Frome. As a result, she set the prologue of the book long after the principal action, introducing the title character as a fifty-two-year-old with a bad limp. The reader must cross many chapters and two decades to learn the limp’s cause.
Question for the week: Where would your story begin? At your birth? At the birth of your most distant known ancestor? Or, like Tolstoy’s Ivan Ilyich, would your story begin at your funeral?
Earlier this year, I considered bringing this blog to a close. I even started drafting Post 300 as a farewell post. As much as I’ve loved writing this blog–over the past 8+ years and on three continents–it is work. And, more importantly at this stage in my life, it is time consuming.
But I got some vital feedback at just the right time to keep me going. In the first place, I learned about the Beer Appreciation course offered by Cornell University. Then a friend convinced me that my readers care enough about this blog to contribute actual money toward tuition for that course. Even more important than the money was the fact that people wanted to engage. Many of the readers who were willing to contribute money were also eager to recommend beers and readings, and become part of the blog process. (By the way, from very early on, I have encouraged readers to make suggestions through the “Make a Recommendation” page. I don’t think that form has been used once.)
Secondly, I got a very encouraging (and unsolicited) message at a critical time. Of this blog, a friend said: “I hope it never ends.” How could I quit after reading such a sentiment?
Friends, you’ve kept me going. Thank you all for your contributions, be they monetary or just kind words. Please always feel free to comment or reach out. For my part, I will keep writing this blog until you are sick to death of it.
Beer of the week: Licher Weizen – This German Hefeweizen seems like a good representative of the style. It is quite cloudy, with a big, fluffy head. (As I now know from the Cornell course, the high protein content of wheat contributes both to the cloudiness and the foaminess.) The aroma has notes of banana and clove. (Typical of the esters associated with wheat.) The flavor follows the smell closely, especially the banana. There is just enough hops to remind you that this is, in fact, a beer. I don’t know if this is the best Hefeweizen, but it is definitely everything the style should be.
Reading of the week: Pride and Prejudice by Jane Austen – This excerpt is almost entirely dialogue, with the characters debating whether it is better “to yield readily—easily—to the persuasion of a friend” or to insist that the friend provide argument and reason. For, as one character argues, “to yield without conviction is no compliment to the understanding of either [friend].”
Question of the week: Is there any way that this blog could be more engaging? What features/subjects/beers/etc. would induce you to comment/suggest beers/etc.?
This is the thirty-third in a series on The Harvard Classics; the rest of the posts are available here. Volume XXXIII: Voyages and Travels
If you are looking to stir up a bit of controversy without recourse to politics or family secrets, casually opine that William Shakespeare was no more than an actor and frontman, and that the plays attributed to him were clearly the work of someone else. The Shakespeare authorship question provides plenty of grounds for argument. More likely than not, you’ll find that your interlocutors are firm believers that Shakespeare actually authored Shakespeare, but even if they are open to the possibility of a non-Stratfordian author, you can still disagree on who, exactly, did write Shakespeare.
The basics of the authorship question are as follows: The actor William Shakespeare’s education is quite suspect. His parents both signed with a mark instead of writing their names, suggesting that they were illiterate. (Keep in mind that literacy was not nearly so universal at the turn of the 17th century.) There is no record of his attending school, including a surprising lack of claims by his teachers or classmates. The 6 surviving authenticated signatures of Shakespeare are exhibit such poor penmanship that they do little to convince that he was a prolific writer.
While Shakespeare’s own background was fairly obscure, his plays dealt with a number of topics that would seemingly be beyond his ken. Many of the plays exhibit a familiarity with royal courts and exotic locales. William Shakespeare, however, would have no firsthand knowledge of either. The plays also contain accurate details of sailing and travel, though Shakespeare himself is not known to have left England. Similarly, he wrote with some familiarity on legal procedure and thought, although there is no evidence that he had any contact with any courts of law until a minor lawsuit late in life.
And if William Shakespeare was merely an actor and a frontman for an author who needed to remain anonymous, who actually wrote the plays? Many, many alternative authors have been proposed throughout the years. A few of them seem plausible.
The Oxfordian Theory:
Seemingly the most popular candidate is Edward de Vere, 17th Earl of Oxford. Oxford was a patron of the theater and was known to be a poet and playwright. His time at court and in Italy provided him with the knowledge needed to write plays set in such locales; knowledge William Shakespeare would not have had. Oxford had to publish his plays under a pseudonym because it would be unseemly for somebody of his high birth to write for the common stage. Or, even better, he had an affair with Queen Elizabeth and for some reason that made it even more important that he not publish under his own name.
The Baconian Theory:
Bacon is the classic alternative to Shakespeare. Francis Bacon served as Lord Chancellor, the highest court official in England. He had the legal and political background to write competently and realistically about courts royal and legal. He also was familiar with codes and cyphers, which makes it extremely tempting to search for hidden meanings in everything he wrote.
Adherents of the Baconian theory included Friedrich Nietzsche and Mark Twain. In Ecce Homo, Nietzsche wrote, “to make a confession; I feel instinctively certain and convinced that Lord Bacon is the originator, the self-torturer, of this most sinister kind of literature (Hamlet)… We do not know half enough about Lord Bacon—the first realist in all the highest acceptation of this word—to be sure of everything he did, everything he willed, and everything he experienced in his inmost soul…. Let the critics go to hell! Suppose I had christened my Zarathustra with a name not my own,—let us say with Richard Wagner’s name,—the acumen of two thousand years would not have sufficed to guess that the author of Human, all-too-Human was the visionary of Zarathustra.” Mark Twain was less certain than Nietzsche: “I only believed Bacon wrote Shakespeare, whereas I knew Shakespeare didn’t.” Percy Shelley, perhaps unintentionally, lends some weight to the conclusion that Bacon was the Bard. In Shelley’s opinion, Bacon was the most sublime writer since Plato. “Lord Bacon was a poet,” Shelley wrote in his Defense of Poetry. “His language has a sweet and majestic rhythm, which satisfies the sense, no less than the almost superhuman wisdom of his philosophy satisfies the intellect; it is a strain which distends, and then bursts the circumference of the reader’s mind, and pours itself forth together with it into the universal element with which it has perpetual sympathy.”
The Marlovian Theory
Christopher “Kit” Marlow was a successful poet and playwright, born only two months before Shakespeare. But he was also allegedly an athiest. At the height of his powers, and soon to face capital charges of heresy, Marlow allegedly died on May 30, 1593. Within a fortnight, Shakespeare’s first publication, Venus and Adonis, went on sale. What if Marlow faked his death and had Shakespeare publish his works under his own name? By faking is death, Marlow was able to avoid the headsman and continue writing.
The Group Theories
One of the problems with most of the theories is timing. For example, the Earl of Oxford died several years before the last Shakespeare plays were published. And although Walter Raleigh was born before and died after William Shakespeare, he spent so much time traveling, fighting, and imprisoned that it is hard to make sense of a timeline where he also wrote all of Shakespeare’s corpus. Enter the group theories. By attributing Shakespeare to a group or cabal, one eliminates the timing problems, accounts for some of the unevenness of quality in Shakespeare’s writing, explains the tremendous vocabulary in the plays, and responds to the objection that no one author could produce so much excellent work.
Nobody knows for sure who wrote the works attributed to Shakespeare. The academic consensus is clearly in favor of William Shakespeare of Stratford-upon-Avon. But that explanation is boring. It is more fun to think of Shakespeare as a centuries-old mystery, and to stay on the lookout for clues and messages hidden in “his” work.
Beer of the week: Corona Familiar – When Homer Simpson visited the Duff brewery he learned that Duff, Duff Lite, and Duff Dry were all bottled from the same line. For a while, it was rumored that that joke was a reality for the makers of Corona. Allegedly, Corona Familiar was simply Corona Extra in a 32 oz. bottle. However, as Constellation Brands has rolled out Corona Familiar in more markets and in new 12 oz. bottles, it is now clear that it is a different beer than Corona Extra. It is clear gold, and plenty carbonated. There is some malt in the aroma and the flavor is a bit fuller in both hops and malt than Corona Extra. Familiar is a serviceable but unremarkable lager.
Reading of the week: The Discovery of Guiana by Sir Walter Raleigh – As mentioned above, Raleigh is one of the proposed authors of some or all of Shakespeare. This prose account of the discovery of the mythical city of El Dorado does little to confirm that claim. It is an interesting story, including an account of natives covering themselves with gold dust “from the foot to the head” and then drinking for a week straight, but it does not have any of the irrepressible beauty that Shelley saw in Bacon.
Question for the week: What is your favorite controversial/heterodox position?
This is the twenty-eighth in a series on The Harvard Classics; the rest of the posts are available here. Volume XXVIII: Essays English and American
Spoiler Alert: If, by some miracle or defect in education, you know nothing about The Strange Case of Dr. Jekyll and Mr. Hyde, do not proceed. Rather, find a copy of that book, avoid reading the cover or any introductory material, and read it alone, preferably in one sitting.
I suspect that nobody will have cause to heed the above warning. Jekyll and Hyde are so engrained in our culture that one could hardly reach drinking age without knowing the gist of the story: mild-mannered Dr. Jekyll, by means of a chemical concoction, transforms himself into the evil Mr. Hyde. But what people often fail to realize if they only know about the the story secondhand is that the fact that Jekyll and Hyde are the same person is a shocking twist ending. Unlike in the adaptation The Nutty Professor, where we watch the scientist transform, in Jekyll and Hyde, the titular characters are introduced in a way that conceals their relationship. Throughout the story, the narrator slowly untangles the mysterious connection. The slow build and dramatic twist made the book immensely popular, and ironically, its popularity spoiled the story for many future readers.
With the common understanding of the plot comes a common misunderstanding: the idea that Jekyll and Hyde are two sides of the same coin, one good and one evil. Though Hyde is the evil side of Dr. Jekyll’s being, Dr. Jekyll is not merely the good side. He is the composite of Hyde and some unidentified good side. Jekyll and Hyde are not, as in common metaphor, opposites. Rather, Hyde is just an isolated part of Jekyll.
Jekyll’s own account of his transformation contributes to the confusion on this point. He refers to the struggle between “these polar twins”, the good and evil parts of his soul. But we never see Hyde’s twin. For some reason, Jekyll is able to unbind his evil side, but not his good side. How different a story it would be if Jekyll’s experiment transformed him into his angelic, pure good version rather than the demonic, evil Hyde.
To push even further from the notion of Hyde and Jekyll as opposites, the character of Jekyll suggests that he is more than a simple dichotomy. Despite his reference to “these polar twins”, Jekyll opines that “man will be ultimately known for a mere polity of multifarious, incongruous and independent denizens.” So at most, Hyde is likely just one facet of Dr. Jekyll’s immensely complex soul.
Stevenson, like Plato before him and Freud after, seems convinced that the human soul (psyche?) is either multipartite or, at least can be most readily understood by means of such a metaphor. It seems to me that the soul is too complex for such analysis. There is no “good side” and “evil side”; no desires or appetites that can be neatly and perfectly divorced from reason or affection. We are whole beings, not a mere assemblage is parts. We are all Jekyll and no Hyde.
Beer of the week: Shiner Bohemian Black Lager – Calling Spoetzl Brewery’s Shiner Bohemian Black Lager the Hyde to Shiner Bock’s Jekyll would fly in the face of the analysis above. Yet here we are. This, Spoetzl’s schwarzbier, is a pretty nice offering. It is very dark brown, with a quickly diminishing tan head. The aroma is of dark malt. The flavor is is a bit smoky, but quite light and refreshing.
Reading of the week: Truth of Intercourse by Robert Louis Stevenson – As is evident in Dr. Jekyll and Mr. Hyde, Stevenson was very interested in how people represent themselves and their true natures. In this essay, he discusses the ways in which people can be habitual liars, but honest in their relationships, and vice versa. “Truth to facts is not always truth to sentiment;” he writes, “and part of the truth, as often happens in answer to a question, may be the foulest calumny.”
Question for the week: Do you perceive multiple parts of your own soul?
This is the twenty-second in a series on The Harvard Classics; the rest of the posts are available here. Volume XXII: The Odyssey, Homer
Everyone has a memory or two that he’d rather not. But, as the saying goes, “some things cannot be unseen.” We are blessed and cursed with our powers of memory, but what would result from the ability to chose what memories we retain or erase?
On the tv show Arrested Development, there is a character who takes pills that he calls “forget-me-nows”. The pills are, in fact, Rohypnol: commonly known as roofies. He drugs himself to forget decisions that he regrets. Predictably, by wiping out his memories, he dooms himself to make the same mistakes again, unable to learn and grow from them.
In Homer’s Odyssey, Helen prepares a draught of nepenthe to help Menelaus and others forget their sorrow over comrades lost during and after the Trojan War, particularly the then-missing Odysseus. Nepenthe literally means “anti-sorrow”, but Homer tells us that it worked by bringing forgetfulness. The characters continue to reminisce, however, and ultimately resort to sleep to ease their sorrow. “But come,” says Telemachus, “bid us to bed, that forthwith we may take our joy of rest beneath the spell of sleep.” Perhaps the drug induced the sleep, and in sleep the heroes could forget their melancholy, but it is not clear at all that the nepenthe delivered on its promise of forgetfulness.
Nepenthe is also mentioned Poe’s The Raven. The narrator exhorts himself, “Quaff, oh quaff this kind nepenthe and forget the lost Lenore.” The raven predictably replies, “nevermore.” The narrator has no literal nepenthe, and, as is clear from the raven’s reply, none exists. He is doomed to remember his lost love. There is no nepenthe to forget sorrow and no balm in Gilead to cure a broken heart.
Whether we learn from our memories as GOB fails to in Arrested Development, or we put our memory aside only while we sleep as the characters of The Odyssey do, or whether our memories drive us mad as in The Raven, we cannot really cannot chose to forget. Our only real option is to turn our memories to our advantage, lest they destroy us.
Beer of the week: Tell Tale Heart IPA – Happy Friday the 13th! By all rights, this beer should be paired with Poe’s story The Tell Tale Heart. But that Poe is not included in the Harvard Classics, and I had no interest in sitting on this review for a year until I am through with this Harvard series. So here it is. RavenBeer makes a whole line of Poe-themed brews. This is an orangish IPA with a nice, creamy head. There are nice floral hops in the aroma and a well-balanced combo of malt and hops. Tell Tale Heart is a good East Coast IPA.
Reading of the week: The Odyssey by Homer, Book IV, lines 184 – 314 – After Helen has poured the nepenthe, she tells the company how Odysseus, disguised as a beggar, once sneaked into the besieged city of Troy.
Question for the week: What would you forget if you could?