Occasionally, upon witnessing some great athletic performance, hearing some beautiful music, or viewing some astounding work of art, I think to myself, “wouldn’t it be great to have some discernible talent?”
Of course pure, raw talent is exceptionally rare. For the most part, any remarkable performance is the culmination of an immense amount of work. Malcolm Gladwell popularized the the 10,000 Hour Rule, the idea that greatness (in performing arts, computer programming, or whatever) requires 10,000 of practice.
But 10,000 hours of practice is not simply 10,000 hours of practice. It is also 10,000 of not doing something else. Every hour in the gym, the library, or the studio is an hour not spent with family, or relaxing, or anything else. The sacrifices made to achieve greatness are more than the 10,000 hours of practice, they are also the 10,000 not not practicing. We can see the hours of training, but what we can’t see may be more important in the long run.
Beer of the week: Green – The brewers at Tree House Brewing Company must have put in their 10,000 hours because Tree House is one of the hottest names in beer. Green is one of their many renowned IPAs. Green is cloudy, practically muddy, and pours with a big, rocky head. The aroma is hop-forward with some tropical fruit notes. The beer is smooth and creamy with hints of citrus and pineapple and a lingering taste of orange. Green is an excellent IPA.
Reading of the week: First Sorrow by Franz Kafka – I almost wrote that this very short story is about a trapeze artist, but I am never sure what Kafka stories are really about. The main character of the story is a trapeze artist who “never came down from his trapeze by night or day . . . from a desire to perfect his skill.” That’s one way to rack up 10,000 hours quickly.
Question for the week: Can greatness coexist with balance? Or must the great (in any field) have some off-setting deficiency, such as in family life?
I am pleased to announce that I have signed up for a course in beer tasting from Cornell University. Although I practically minored in beer drinking as an undergrad, this is an actual class from an Ivy League school. The course focuses on the differences in the myriad styles of beer, and how to apply a consistent set of criteria to evaluate and review them.
Shocking as it may be, however, Cornell is not free. And so, I have decided to crowdfund my tuition. I struggled with this decision because it feels frivolous and conceited to ask people to put their hard-earned money toward my hobby. But after a lot of consideration, I decided that there are good reasons to start a crowdfunding campaign.
For one thing this blog is not just my hobby. There are people out there who genuinely enjoy BeerAndTrembling. And I know for a fact that some people are actually excited to support this blog and contribute toward a class that will improve it.
Moreover, the crowdfunding campaign is not solely about the money. Hopefully, the crowdfunding platform will introduce BeerAndTrembling to a new audience. It may also inspire readers, old and new, to become involved in the blog through various “perks”, including the right to choose readings or beers to be featured in future blog posts. Plus, I am going to share my notes with everybody who donates, so that everybody who is interested can have access to Cornell’s expertise without Cornell’s price tag.
So check out the crowdfunding campaign here: BeerAndTrembling’s IndieGoGo Campaign
Make a donation, share the campaign, go read some good books, and cheers!
Beer of the week: Pinch of Grace – This beer is a perfect example of why I need this class. I feel completely incapable of writing competently about this beer. Pinch of Grace is an IPA with citrus peels and vanilla from Two Brothers Brewing Company in Illinois. Based on that description, I didn’t know whether to expect a creamsicle flavor or a hoppy IPA. But I got neither. It was neither as sweet nor as hoppy as I expected. As it warmed, the vanilla opened up a bit, but I don’t think I would have guessed that vanilla was an ingredient. I rather enjoyed Pinch of Grace, but it sure tastes unusual.
Reading of the week: The Man with the Twisted Lip by Arthur Conan Doyle – Not only did I struggle with whether to start a crowdfunding campaign, I also struggled with this reading. The excerpt that I picked for reading of the week totally spoils the story, and spoiling a detective story seems especially gauche. On the other hand, the story is over a century-and-a-quarter old and just seemed perfect to pair with this blog post. So just consider this your spoiler warning.
Question for the week: Are there any additional “perks” you would that you think would get donations?
Three hundred is a significant number. It is the score of a perfect game of ten-pin bowling. It is the number of Israelites who followed Gideon to war against the Midianites. 300 is also the sum of ten consecutive primes (13 + 17 + 19 + 23 + 29 + 31 + 37 + 41 + 43 + 47). Also, as of now, it is the number posts on this blog. And it only took a shade under eight and a half years!
The original plan for this post was to run down a series of statistics:
What nation provided the second most beers of the week? (USA is undoubtedly #1.)
What style of beer was most commonly reviewed? (Pale lager is a good bet.)
What subject tag (history, economics, poetry, etc.) was most used?
But for all the time that I have spent on this site, I never did figure out how to capture and use any of that data. And 300 posts is too daunting a figure for me to manually tally those figures. Either some dedicated fan with more time or more computer knowhow than I have will find those answers, or (more likely) nobody cares enough to pursue them.
What I was able to do, however, is list the authors who wrote at least three of the blog’s readings of the week. Let’s have a look:
Fourteen authors have provided three readings of the week:
Aristotle, Francis Bacon, Frédéric Bastiat, Robert Burns, Homer, Rudyard Kipling, Martin Luther, J.S. Mill, John Milton, Michel de Montaigne, Banjo Paterson, Pliny the Younger, Plutarch, Mark Twain
Notably, all three Mill readings came from On Liberty, the only single work to provide that many readings.
Three authors provided four readings:
Thomas Jefferson, Fred Nietzche, Edgar A. Poe
Jefferson gets credit for the Declaration of Independence. As I recall, the particular excerpt made it through Congress pretty much in its original form.
Two sources provided five weekly readings:
Count Leo Tolstoy, The Bible
I am not really sure how fair it is to count Bible readings. For one thing, the five Bible readings are split three-to-two in favor of the Old Testament.
A single man authored six readings of the week:
Post number 299 gave Plato second place outright.
And, with a total of seven readings of the week, a single author stands above the rest:
Despite the fact that many works have provided more than one reading, (such as On Liberty, as noted above,) each Shakespeare, Plato, and Tolstoy reading came from a different work.
What will I do with this information? Not much, I expect. I will probably avoid Shakespeare readings for a while. I will also continue to diversify the pool of authors, particularly by featuring more women and more (relatively) modern thinkers. But mostly I will keep doing what I’ve been doing for the last 300 posts. It’s worked well enough so far.
Here’s to another 300! Although at the current pace, it sure looks like it’ll be more than eight and a half years before I reach post 600.
Beer of the week: King Sue Double IPA – This double IPA comes from Toppling Goliath Brewing Co. in Iowa, a brewery that is very hot right now. Last I checked, BeerAdvocate lists five Toppling Goliath brews in it’s top 50, including the top rated beer overall. On the secondary market, certain Toppling Goliath beers have asking prices approaching four figures.
King Sue, once identified by Business Insider as one of the most highly sought-after beers in the country, is currently ranked forty-ninth on BeerAdvocate. And the hype is not misplaced. King Sue is a very murky pale gold beer, with a huge aroma of mango and pineapple. The flavor also has those tropical fruit notes, together with plenty of malt to round everything out. A special beer for a special occasion.
Reading of the week: Bibliotheca Historica by Diodorus Siculus – In popular culture, the number 300 probably most associated with the Spartans who made the famous last stand against the Persian king Xerxes at Thermopylae. What mostly gets forgotten is the many thousands of other Greeks who fought alongside the Spartans. But “The 300 Spartans, 1,000 additional Lacedaemonians, 3,000 other Peloponnesians, 1,000 Malians, 400 Thebans, 1,000 Phocians, and 1,000 Opuntian Locrians” doesn’t quite roll off the tongue. In the face of “not less than one million soldiers” under the command of the invading Persian king, however, what’s a few thousand give or take?
Question for the week: Excepting small primes, what number has the most cultural significance?
In my experience, people tend toward one of two extremes when analyzing the writings of the ancients (and, to varying degrees, those of other bygone eras.) The one extreme is to assume that the authors, as products of a primitive time, have nothing to offer. We are so much more enlightened now; all of the ancients must be regarded as quite ignorant. The other extreme is to ignore the faults of the ancients, or, if they cannot be ignored, to make every possible contortion to explain them away. The ancients could not err when it came to thinking because, as Homer’s heroes could single-handedly lift boulders that a dozen modern men could hardly budge, the philosophers of old possessed intellectual powers far beyond those of any modern genius.
Take, for example, the treatment of women by Aristotle and Plato. Our modern understanding of the differences between men and women is very much at odds with the apparent opinions of Aristotle and Socrates on the subject. What do we do in the face of these problematic ancient texts?
One approach is to throw out Aristotle and Plato entirely. Sexism is so embedded in their thought, some opine, that their writing can have no value in our modern world. Even as early as the 15th century, William Caxton wrote that “if [Plato] had made fault in writing of women, he ought not, ne should not, be believed in his other dictes and sayings.”* (As we will see shortly, Caxton does not actually find fault with Plato’s treatment of women.) Likewise, Aristotle was extremely wrong about the role of the female in sexual reproduction, so his philosophy on humans generally can’t be trusted. These “dead white men” are so out of touch with our modern knowledge and sensibilities that they can hardly be considered authoritative on any philosophical question.
(I pause to note that the bland dismissal of these thinkers as “dead white men” always amuses me. The ad hominem attack itself adopts the language of racism, implying that the value of the authors is somehow related to their skin color. At the same time, it ignores the fact that classifying Aristotle and Plato as “white” should certainly raise a few eyebrows.)
On the other side, there are those who would wave away the apparent sexism of the ancients. The easiest way to do that is to simply call them a product of their times and move on. But some offer more convoluted explanations in an effort to keep the ancients from ever being “wrong”. Caxton wrote, “I cannot think that so true a man and so noble a philosopher as [Plato] was should write otherwise than truth.” And because Plato must have been right, Caxton was forced to come up with a way to reconcile the apparently sexist writings of Plato with the more enlightened views of his own day. He did so by concluding that if Plato ever said anything derogatory about women, he was only speaking of Greek women. “For I wot well, of whatsoever condition women be in Greece, the women of [England] be right good, wise, pleasant, humble, discreet, sober, chaste, obedient to their husbands, true, secret, steadfast, ever busy, and never idle, attemperate in speaking, and virtuous in all their works—or at least should be so.” So if Plato says, for example, that teaching a woman to write is multiplying evil upon evil, that may true of ancient Greek women, not of modern English women.
A more modern defense of that same type is to find esoteric meanings that are different from the ancients’ explicit meanings. So when Aristotle, in Book I of his Politics, says that “silence is a woman’s ornament,” he actually means nothing of the sort. The line is actually a quotation from Sophocles’s play Ajax. In the play, Ajax has gone insane by the time he utters the line. Obviously, Aristotle would have been familiar both with the play and the context of the quotation. So when Aristotle says “silence is a woman’s ornament,” he is slyly hinting that only a mad man would actually believe what he is saying. See? Aristotle was never sexist in the first place!
As usual, I favor the course of moderation. We should neither discard the ancients (or any author, really) out of hand, nor should we engage in mental gymnastics to defend the position that any author is always right. There is untold value in studying our intellectual predecessors, but nothing is gained by accepting their writings uncritically.
Beer of the week: Furious IPA – This aggressively-hopped ale from Minnesota’s Surly Brewing Company pours with a nice fluffy head. The piney hops certainly dominate, but there is a good balance with caramel malt notes. The label says that this beer defies categorization, but the IPA label seems right to me.
Reading of the week: Hymn To Aphrodite by Sappho – Here’s a crazy idea: if you want to know the ancients’ views on women, how about reading the poetry of an ancient woman? This is the only complete poem that has survived from Greece’s greatest poetess.
Question for the week: Is there any extant writing older than, say, 1,000 years that is actually not worth studying? Is it possible that anything has survived that long without some serious merit?
*Caxton actually discusses the sayings of Socrates as if Socrates himself was the author of the Socratic dialogues. I have substituted Plato into the quotations to give Caxton the benefit of the doubt; surely he meant to discuss what Socrates said and what Plato wrote.
This is the fifty-first and final in a series on The Harvard Classics; the rest of the posts are available here. Volume L: Introduction, Readers Guide, Indexes
Thus ends my year-long series on the Harvard Classics. Fifty-one volumes of the greatest books ever written (and as many different beers.) I conclude with a few observations, in no particular order:
Two Years Before the Mast by Richard Henry Dana, Jr. was the biggest surprise of the whole set. I was totally unfamiliar with the book until this project, but so much did I enjoy it, that it is the only volume that I read cover-to-cover. (To be honest, I didn’t make it quite to the back cover. I did not read all of Twenty Four Years Later, the much-delayed epilogue in which Dana returns to California as a celebrity a quarter of a century after his first voyage.) In the book, Dana provides lively and descriptive account of life on a merchant ship and on the old California coast. Of particular note, one need not understand all of the parts and rigging of a ship to thoroughly enjoy his description of his duties as a sailor.
The general index is an excellent tool. In an age with Ctrl+F text searching, the idea that somebody took the time to read through the entire set and cross-reference words and concepts is truly remarkable. It is a humbling reminder of how easy we have it, and a tribute to those who did the hard work that we now take for granted.
As far as I can tell, the famous 15-minutes-a-day reading plan was not added to the set until 1930. I am not sure about that date, but I am sure that my second edition set does not include it. In the past, the daily program has proved very helpful to me. It is a surefire way to find a readable, thought-provoking passage.
I have commented more than once that the set includes a surprising amount of biographical works. I have always been a fan of biography, so I do not consider this a great flaw. However, I do think that the bulk of the biographical works could comfortably be replaced with more “pure” philosophy or something else.
Speaking of replacements, I cannot help but think that several works included in the Harvard Classics would not make the cut if the series were reimagined today. Dana, Manzoni, and Cellini spring to mind. Milton and Darwin would probably be reduced by at least one volume. Volume XV: Bunyan and Walton would almost certainly be excised entirely.
What would be selected to replace these works would depend very much upon the new editor. For mine, I’d add Homer’s Iliad (which I regard as a shocking omission in the first place.) I would exchange one volume of English poetry for one volume of American. I would also probably include some Marx to go along with Smith. Nietzsche is another obvious choice for inclusion. Of course, there are myriad combinations of works that could make up such a set. General agreement on each inclusion is far too much to ask.
Much less controversial than adding or removing works would be reorganizing the whole set. As it is, I can not make any sense of the organizing principle. It is not chronological and does not appear to have any subject-matter order. The poetry of Milton and Burns are near the beginning, while the volumes of English poetry are near the end. Similarly, Greek drama is at the beginning, continental and modern English drama are in the middle, and Elizabethan drama is near the end. I’d favor a roughly chronological arrangement, but subject-matter organization could also work.
In a general way, there is very little fiction in the series. As Dr. Eliot explains in his Editor’s Introduction, “the whole of nineteenth century fiction, with two exceptions, was excluded; partly because of its great bulk, and partly because it is easily accessible.” As a set, there is no particular point in including a novel by Tolstoy or Austen; copies of War and Peace and Pride and Prejudice are not at all hard to come by. Besides, at between 400 and 450 pages, the volumes of the Harvard Classics would not accommodate War and Peace without abridgment. However, I think that one volume of the set could have been reserved for Russian short stories and one volume reserved for American.
During the course of the year, I exchanged comments on another blog that compared the Harvard Classics and the Britannica Great Books of the Western World. I observed that the blogger omitted any discussion of the books as physical objects. It is my opinion that the Harvard Classics are a better set in physical terms. They are more compact, printed on better paper, and are better formatted. The Britannica set, to nobody’s surprise, is published like an encyclopedia. Consequently, that set is better suited for use as a reference than for ordinary reading. The books are larger and less wieldy. The paper is the thin sort used in bibles and encyclopedias (saving on bulk at the expense of durability and feel.) For the same reason, the pages are laid out in columns. The other blogger’s response to my comment expressed the opinion that the columns make reading easier, but that is obviously incorrect. Columns are employed to save space. That is why they are the preferred format of textbooks, newspapers, and dictionaries, where space is at a premium. Go to the library and pick up any novel you like; it is with good reason that you will not find the pages divided into columns. The Harvard Classics, although not especially high quality books, are an excellent size and format, especially when compared to their younger cousin, the GBWW.
For the purposes of this blog, the set has been quite well suited. It has been much easier to do a regular weekly post with the Harvard Classics providing me with a fixed volume for each week. (To say nothing of the fact that the entire set is now in the public domain, so there is no additional concern on that account.) I do not think that this blog has ever been so consistent. Over the past year, I have published a new post every week without fail.
I fear that such consistency cannot be expected in the future. For one thing, it is a lot more work to pick a reading each week when I cannot simply flip through the next volume of a set. For another, I am drinking less beer than I have in the past. At times I have had a backlog of a dozen beer reviews; I am currently at three. But most importantly, a number of life-changing events happened over the course of this last year spent with the Harvard Classics. Suffice it to say that in the coming year I will spend more time pushing a stroller and doing legal research, and less time blogging.
In the next year, and perhaps the next several years, I think it unlikely that I shall return very often to the Harvard Classics. I am very glad that I took the time to read from each volume, and I still think that they look very well on my bookshelf, but they are generally more for show than anything else at this point. Even if I really want to read any work included in the set, there are reasons that I would not reach for my Harvard Classics. For one thing, I would seek out the best translation of any work not originally in English. The Harvard Classics translations are, naturally, old, public domain translations. Consequently, it is likely that a better translation is available to anybody with a library card or an Amazon account.
All in all, I think that Dr. Eliot may be well satisfied with his project. I now that I am.
Beer of the week: All Day IPA – A book series for all time is quite naturally paired with a beer for all day. Founders brews this lovely session IPA. At 4.7% alcohol by volume (compared to the 7.2% of their Centennial IPA), one could easily go through a few of these. It is dark gold with a nice foamy head. It has hints of pineapple in the hop-forward aroma. The flavor has plenty of hops bitterness without being a palate destroyer, and enough malt to round it all out. A very solid choice.
Reading of the week: The Editor’s Introduction to the Harvard Classics by Charles William Eliot – “Within the limits of fifty volumes, containing about 22,000 pages, I was to provide the means of obtaining such a knowledge of ancient and modern literature as seems essential to the twentieth century idea of a cultivated man.” Thus, Dr. Eliot expresses the essence of his project. This excerpt includes a few ideas on how best to approach the set. (The fact that this “introduction” appears in the fiftieth volume, rather than the first, is a quibble that we must leave for another time.)
Question for the week: What works would you add to the Harvard Classics if you were its modern editor? And what would you cut to make way for your additions?